Saturday, November 27, 2021

Final 3Min Media

The video opens with a handmade E4 indent specially created for Road To Glory, this takes the traditional fun indents of the channel and creates a motorsport twist on it.

The video then changes into a homage to works such as Rush and Drive To Survive though the feature of different shots fading to black, voice-over, editing pace and style.

The tension continues to be built in the way to show homage to the previous works until the first light is shown upon the starting light. After the lights a section where lights follow a clip of cars racing relieving tension while the following typical motorsport stereotypes which motorsport fans will recognise.

After the light sequence has finished the video then turns to black with the logo appearing on the screen with a voice-over section that announces the show.

After that, the main presenter then appears on the screen to describe the show's plan which draws in the tension and creates it into a reality format.

The 3-minute segment then finishes off with another custom E4 indent created for the show. 

Website Audio-Visual Element - Road To Glory Trailer

 Website Audio - Visual Element for the Home page of my website

Friday, November 26, 2021

Webpage Summary

 For Website Please Click Here

Most sections of the website are interactive using animations/ hover effects to create a more interactive experience for the consumer this means that an audience member is more likely to spend time browsing the site compared to a static one, this, in turn, means that they are more inclined to watch the show upon release.

Website Home Page

 

The website greets you with a traditional All4 aesthetic with an E4 twist this is combined with functionality and animations which were a key point within this project. 

Following on the audience is then greeted with an animated time until lights out which keeps working through a motorsport light sequence until the time runs out. After that, the audience is then presented with an ad that changes randomly after a page refresh to advertise different shows with the E4 category that they might like.

Then there is an animated shop window which is made to look as if the car is towing the product, adding a little bit of animation will make an audience member more inclined to view and have a look at all the different merch.


One of all4's key values is to "Stand up for diversity across the UK" this interactive element of the website shows different schemes to help the show give a positive impact through motorsport.

Another element of the website is the fan zone section which encourages viewership participation through social media to win motorsport specific prizes. Then we have a playable quiz that gives audiences a fun reason to learn about the show and get inspired.

The footer is then made within a typical style of all4 with a Road To Glory twist then highlighting again the key schemes the show is trying to promote.

The website can look different this is due to the number of animations and some images change (Like the ad section when the user refreshes the page)


Website Linked Page

The all4 is present and recognisable yet again as an underbearing theme with an E4 twist on ontop. This section is also interactive allowing viewers to learn more about the show and also allowing them to add it to the list of shows to watch through the About and My List button.

This section allows the users to watch the episode we have also given each episode a different famous quote from the world of motorsports the first one being Lewis Hamiltons Still we rise which is fitting for the first episode

The next section then shows the different episodes within the first series

Then we can see various ads for other e4 shows recommend for the viewer in an all4 style

The footer is then made within a typical style of all4 with a Road To Glory twist then highlighting again the key schemes the show is trying to promote.



Buttons such as the about button work and if the audience member tries to press any of the buttons which a sign-in would be required they are prompted onto this page 










Thursday, November 25, 2021

Website Easter Egg

 In order to encourage audience members to look at the whole site once the All4 button in the header is pressed a secret menu opens which looks like this


This will enable audience members to win signed driver cards which are a big collector's item within the motorsport world.

Statement of Intent

Monday, September 6, 2021

Car Animation For Website

 


E4 end animation


 

Bottom Name Animation

 


All4 Remit

 

Channel 4's remit

Channel 4 was created to be a disruptive, innovative force in UK broadcasting.

Everything that Channel 4 does is governed by our public service remit, which is agreed by Parliament and enshrined in legislation. It is the template that gives us our unique and important role in British life. Our remit makes up a core part of Channel 4’s DNA.  

It applies across all genres and services, Channel 4, E4, More4, Film4, 4Seven, All 4 and digital projects. Channel 4 must also meet a set of specific quantitative licence obligations, set and monitored by Ofcom, for News and Current Affairs, original production, regional production, subtitling and audio-description services and much else besides.


To champion unheard voices

Our programmes shine a light on stories untold elsewhere.


To innovate and take bold creative risks

We drive innovation, taking more risks than other channels.


To inspire change in the way we lead our lives

We inspire citizenship and stimulate debate among viewers.


To stand up for diversity across the UK

Diversity is the lifeblood of Channel 4, and we are committed to celebrating Great Britain in all of its diversity through our programmes.

Tuesday, June 29, 2021

Generic Research- Drive To Survive

 Netflix Drive To Survive- Netflix new reality TV show following the F1 Season

History

  • Originally pitched as an idea that revolved solely around Red Bull Racing but this evolved into a series about F1 focusing upon the Team politics and drama within the sport.
  • On 24th of march 2018 Formula One announced that Netflix had commissioned a ten episode reality-series giving an exclusive looks to fans behind the scenes of the Formula One World Championship.
  • The series is executive produced by James Gay-Rees and Paul Martin for the production company Box to Box Films.  
How genre conventions are employed?
  • Drive to survive uses a lot of sensationalism and sometimes creation of fake drama in order to retain audiences - Lots of fans of Formula 1 boycotted the show due to the fact they felt most events were presented as sensationalised and sometimes completely opposite to the events within real life.
  • The show also uses lots of interviews though out the season which match the events seen on the audiences screen, which are then cut and manipulated in order to craft the most exciting version of events
How and why intertextuality is used?
  • Within the series the producers pay homage to past films such as Risk and Le Mans by shooting/portraying the show within the a similar style/pacing, This creates a tense atmosphere which viewers will recognise as similar to early racing movies.
How combinations of media language elements are used to create meaning?

  • Up Close Shots of face- Used to create tension and show fear
  • Long panning shots- Allows the audience to get a sense of speed of the formula cars 
  • Zooming Orbit Shot- Used to establish the settings








Monday, June 28, 2021

Generic Research- Clarkson's Farm

 

Clarkson's Farm Amazon Prime

History

  • Set on Clarkson's own farm (Diddly Squat Farm) where audience members watch everyday challenges and events unfold on his farm.  <- Could also be argued that this is more educational then conventional reality TV shows.
  • Farm was taken over by Jeremy as he originally believed farming was easy but upon realising the hardships of the profession he started the series as he wanted to show people the true side of farming
  • Produced by Expectation LTD and originally started filming late 2019 but was delayed in release until 2021 due to the pandemic.
  • Directed by Gavin Whitehead <- Old director of Top Gear
How genre conventions are employed?
  • Contradicts the genre by showing all sides of the farming business not just the good bits which makes it an excellent example of true reality TV this does contradict some forms of conventional reality TV
  •  Conforms with the genre by showing the true stories of the farm
How and why intertextuality is used?
  • To Jeremy Clarkson's previous work on Top Gear and Grand Tour, this is done as Easter eggs in order to please long time fans.
  • Uses the same director as Top Gear and Grand Tour <- As such the style of camera work and pace is similar to his past work
How combinations of media language elements are used to create meaning?

  • Up Close Shots of face- Used to create comedy and show emotions after something has gone wrong
  • Long panning shots- Allows the audience to get a sense of scale or how big Jeremy has messed Up 
  • Drone shot- Used to establish the settings for the events seen on screen


Sunday, June 27, 2021

Generic Research- W Series Driven

 W Series Driven Generic Research

History

  • Released on All-4 on the 20th June 2021 but originally filmed during the opening season of the Women series in 2018/2019
  • The Series was released in order to stop backlash among the racing community due to the series controversial nature
  • W series motto of "Rethink racing" was very prominent within the series as the main object of the series was to promote more diversity within racing
How genre conventions are employed?
    • Subtle sensitisation is employed to dramatise events within the series 
    • Concept features a knockout system where the weakest contestants are removed from the series this creates tension as the audience do not know who progresses to the next stage.
    • Uses a celebrity to attract audiences - David Coulthard
    How and why intertextuality is used?
      • Intertextuality is used within the show which loosely referring to the fast and furious franchise due to one of the casts link with the live travelling show, this is done to give the show similar connotations to the movies.
      How combinations of media language elements are used to create meaning?

      • Up Close Shots of face- Used to create tension and show emotions of the cast
      • Long panning shots- Allows the audience to get a sense of speed or show to the audience happiness
      • Zooming Orbit Shot- Used to establish the settings on where each scene is shot



      Wednesday, June 23, 2021

      Photoshoot Camera Practice


       These are the Photos used for the camera practice during our media lesson, some of them are nice however a lot are out of focus making them unusable.




      I have learnt throughout this processes that I need to focus on improving my photography as a lot of my photos would have been nice however they were out of focus due to my inexperience of DSLR equipment





      Tuesday, June 8, 2021

      Definition of Reality Tv Show

      Dictionary.com

      noun. a television show in which members of the public or celebrities are filmed living their everyday lives or undertaking specific challenges.

      Wikipedia

      Reality television is a genre of television programming that documents purportedly unscripted real-life situations, often starring unknown individuals rather than professional actors.

      Conclusion

      These are a couple of definitions of the term reality TV show, where it seems the term doesn't have a fixed meaning that all shows conform into.

      Wednesday, March 3, 2021

      Top 10 Points From Exam Report

      1.  Need to address the exact demands of the brief to avoid generalising thus catering to the older spec while the new spec requires candidates to approach the brief in higher detail. "The main misconception is to approach H409 03/04 like the legacy G324 specification, which had rather more generic briefs. These four briefs are specific in the required detail - without addressing the precise demands of the brief candidates cannot reach the higher levels, no matter how creative or technically skilled they may be. Some candidates seem to have not understood the need to produce the tasks as set, perhaps not understanding that these were absolute requirements; for example, in the magazine brief, some candidates produced feature pages rather than contents pages, which demonstrated a fundamental misunderstanding of the brief."

      2. Candidates need to generate their own original content all video, audio and text must be original content. "Candidates should generate all their own original content; work should have no ‘found’ material. Page 30 of the specification says ‘learners must be responsible for the design of the website and all content (such as text, images and audio-visual material) must be original’; the rubric on the front cover of the brief, notes: ‘You must use original footage, images and/or text within your production."

      3. A candidate not all the requirements of the brief is a common point of failure. "not addressing all the requirements of the chosen brief, together with the stipulated production detail"

      4. Candidates that do not show sufficient understanding of relevant aspects of the theoretical framework is a common point of failure. "not demonstrating sufficient understanding of the relevant aspects of the theoretical framework."

      5. Candidates that had no prior experience of the technology used were at a significant disadvantage to those who had. "Candidates who do not seem to have practised using the technology earlier in the course were significantly disadvantaged."

      6. Statistically the best candidates undertook individual research into past exemplar projects. "It was noticeable that the best candidates had undertaken individual research into a wide range of contemporary exemplars while less successful candidates produced limited research on one or two centre-prescribed exemplars."

      7.  The Statement of intent accounts for 1/6 of the available therefore it is very important for it to be included and fully fledged. "Lower-achieving candidates usually had underdeveloped and poorly thought through Statements of Intent. The SOI is a vital stage in planning how to address all the elements of the set brief, including the ways in which the candidate can demonstrate all the necessary knowledge and understanding and how they can construct the relevant representations. Submissions that do not include the SOI automatically incur a 10-mark penalty."

      8.  The best coversheets featured similar qualities that meant they were better then the rest. "The best coversheets included clear, bespoke, candidate-specific commentaries that referenced assessment criteria and cited examples from student work. This was particularly helpful where candidates had produced projects that took a counter-typical approach to the briefs (for example, music videos that subverted generic conventions of dance while still adhering to the requirements of the brief). Less helpful CCSs lacked depth or detail - such an approach did not really help when identifying why certain marks had been given; this was particularly evident with regard to digital convergence."

      9. Lower performing candidates had common features which meant that they were graded lower then similar candidates "However, at the lower end there was usually a lack of awareness of appropriate mise-en-scene, framing and composition; setting was generally the least considered aspect – most of the weakest productions were clearly in a school setting and a significant number of sequences were filmed in front of whiteboards, for example."

      10.  Weaker Satement tended to repeat the brief thus not being able to classify as a Statement of intent. "The weakest statements tended to repeat the brief without explaining how the requirements and production details were to be achieved while others had clearly been based on a centre-devised model leading to virtually identical documents."

      Final Link To Website

        Road To Glory Website